People usually find Palash Sarkar through a project — a brand identity, an app screen, a dashboard that made a complicated product feel simple. What they don't see is the ten years before any of that, when Palash Sarkar was just a kid in Dhaka who couldn't stop redrawing logos he liked on the back of notebook pages. This is the part of the story that doesn't fit on a portfolio page, so it's written here instead.
Palash Sarkar's Design Journey Begins
Palash Sarkar grew up in Dhaka, Bangladesh, in a household that valued stable careers — engineering, medicine, the usual list. Design wasn't really on the menu. But he was the kid who cared more about how a school poster looked than what it said, who'd spend an hour picking a font for a group project nobody else would notice. That instinct didn't have a name yet. It just felt like paying attention to something everyone else skipped past.
The turning point was enrolling at the Government Graphic Arts Institute in Dhaka for a diploma in Graphic Design. It sounds like a small decision written down like that, but at the time it meant choosing a path most people around him didn't fully understand yet. Design as a serious profession — not a hobby, not "something creative" you do on the side — was still a new idea in Bangladesh when Palash Sarkar started. He didn't have a lot of local role models to point to. He had to build his own sense of what "professional designer" meant, mostly by studying international work and trying to reverse-engineer why it worked.
He supplemented the diploma with an online course through eShikhon, because classroom hours alone weren't enough — more reps with the actual Adobe tools, more real briefs, more mistakes to learn from. Between the two, the technical foundation got built. The taste and judgment came later, from actually doing client work and getting told, repeatedly, that the first draft wasn't it.
The Early Jobs That Shaped How Palash Sarkar Works
Palash Sarkar's first real design job was at SkyFlora LTD in Dhaka, on-site, doing web banners, print collateral, and seasonal campaigns. It wasn't glamorous. It was fast-turnaround, high-volume work where you learn quickly that "I need more time to make this perfect" isn't always an option — you learn to be good and fast, because the deadline doesn't move. That discipline stuck.
From there came remote work, which changed everything. At 10 Panda, an Australian company, Palash Sarkar was creating social campaign visuals and animated ads — his first real experience designing for an audience and market he'd never physically stood in. He had to learn to research a culture through data and references instead of instinct, which is a different muscle than designing for people down the street.
At Joruri Tech in Dhaka, Palash Sarkar stepped into a senior role leading design across branding, social media, and corporate identity — his first taste of directing a team's output instead of just producing his own. And currently, as Head of Graphic Design at Bear My Brand, a U.S. company, he leads the graphic design department, overseeing brand identity projects, motion graphics, and digital campaigns for premium American clients, which pushed his standards up again — the bar for "premium" looks different when your client base is used to seeing the best agencies in the world.
Why Clients Choose Palash Sarkar
Some of the feedback Palash Sarkar has gotten over the years has stuck with him more than any award could. Clients have described the process as easy and enjoyable, not stressful. They've said he understood their vision and brought it to life, that the work added real value to their strategy — not just decoration. One client called the packaging and promotional work "a big impact on our brand recognition." Another said his design sense and quick turnaround made him an essential part of their campaign's success.
What Palash Sarkar takes from that isn't ego — it's a checklist. Understand the brief deeply. Communicate clearly and often. Deliver on time. Make the client's life easier, not harder. Those four things, done consistently, are most of what "being a good designer to work with" actually means. The visual talent gets you in the door; the rest is what gets you rehired.
Palash Sarkar Today
Today, Palash Sarkar works as a professional UI/UX designer and graphic designer based in Dhaka, Bangladesh, with clients across the USA, Australia, Turkey, and South Asia. Over 5+ years he's delivered 1,000+ projects — brand identities for aviation and fintech companies, UI/UX for crypto platforms and esports products, campaign creative for consumer brands. He's picked up 11 industry awards along the way, and worked with 500+ satisfied clients.
None of that happened because of some natural, unearned gift. It happened because Palash Sarkar kept showing up to unglamorous, fast-turnaround jobs and treating them seriously, kept studying work that was better than his, and kept asking clients what actually helped them instead of assuming he already knew.
What's Next for Palash Sarkar
Palash Sarkar is still doing the same thing he was doing as a kid with a notebook — just with better tools, real clients, and a much longer list of things he's learned not to do. If you're building a brand, a product, or a campaign and want a designer who treats your project with the same care whether it's a startup's first logo or an enterprise rebrand, that's the work Palash Sarkar wants to keep doing.
Looking for a UI/UX designer? Palash Sarkar is a professional UI/UX designer based in Dhaka, Bangladesh, working with clients worldwide. Book a free 30-minute consultation to talk through your project.
