Palash Sarkar gets this question from newer designers constantly: can Figma replace Illustrator for logo design? Having built logos for brands like Jesko Jets in both tools over the years, Palash Sarkar's answer is a clear no — not because Figma is inferior, but because the two tools were built to solve different problems.
Illustrator's Vector Engine Is Built for Precision
Illustrator's pen tool, boolean path operations, and precision vector controls are simply more mature and more capable than Figma's for the kind of intricate path work a logo mark often requires — custom letterforms, complex icon geometry, and print-ready vector output. When a logo needs to be constructed from scratch with pixel-perfect control over every curve, Illustrator remains Palash Sarkar's tool of choice.
Figma Wins for Presentation and System Context
Once a logo mark exists, Palash Sarkar brings it into Figma to build out the full brand system around it — color variations, application mockups, sizing rules, and the interactive presentation a client reviews. Figma's collaborative, browser-based nature makes it far better suited to presenting a logo in context and gathering client feedback in real time than Illustrator ever was designed to be.
A Combined Workflow, Not a Replacement
Palash Sarkar's actual process uses both: construct the mark in Illustrator, then import it into Figma to build the surrounding system and client-facing presentation. Treating this as an either/or choice misses the point — the tools are complementary, each doing the job it's genuinely best at.
Key Takeaways
Figma has absorbed a lot of Illustrator's territory for UI work, but for the specific craft of constructing a logo mark itself, Illustrator's vector tools still lead. Palash Sarkar's advice: don't force one tool to do both jobs — use each where it's strongest.
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